My work has been getting tighter, slicker, cleaner and I felt as though it were distilling into a bit of a "house style." I really admire the flexibility of the old school, iron-man, Jack-of-all-trade illustrators. The sorts of guys Leif Peng rescues from the depths of near obscurity, making us all feel less capable in comparison.
My own sources of inspiration are probably obvious based on my work. I'm a huge fan of Bernie Wrightson, Wally Wood, Milton Caniff, Johnny Craig, Frazetta, Alfredo Alcala, John Romita - I could go on and on. I've been learning so much from them all. Between Bridgman's collected books on anatomy and mass, Harold Speed's great The Practice and Science of Drawing, and the constant specter of those aforementioned illustrator's flexibility, I'm allowing myself to take more chances. Painterly work. Mass drawing. Lletting style be the result of fulfilling a need rather than a means to an end - a true designer's philosophy towards illustration, is something I strive for. With that in mind, I've been trying to branch out: ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]()
You must be logged in to leave a comment.
|
I haven't submitted any photos. I guess I don't want free money.
Ray Frenden is a self-taught illustrator with a penchant for monsters and the macabre.
Drawing from a childhood weaned on horror comics, detective novels, trashy films, and retro sci-fi, his brush and ink work hearkens to an older era. That juxtaposition of old sensibilities for crafting line and a footing in current color and design trends make Ray’s work unique. |