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Vespucci aka Carlton is a boy, has been a member since September 16, 2006, has scored 15,364 submissions, giving an average score of 1.10, helping 75 designs get printed.
Proposition: Evaluation of the aesthetic value of art (or anything else, for that matter) is not properly the domain of artists, but rather of philosophers.

Corrollary: The fact that someone is an artist is not sufficient to qualify that person as anything other than a layperson regarding the aesthetic value of art, including their own.


This was sorta prompted by reading through the 180-something posts about the Wonderland submission... so since threadless seems to have an abnormally high number of "artists", I figure this is a good place to throw out the above. Personally, I believe both the initial proposition above and its corrollary to be true. I also just wanted people to yell at me and also maybe I was itching for an argument.

So go ahead! Tell my why this is wrong! Tear me a new one!


Smitty McGillicutty
Smitty McGillicutty on Jun 04 '07 at 11:45pm
it depends, a lot of different criteria are used to evaluate art. Not to say you are wrong, because I believe you have a very valid point, but if one of the criteria one would use to evaluate happens to be technique and method, then I believe an artist ABOVE a philosopher would have more knowledge. But if you are considering social significance, impression on a viewers ideals and "soul", then a philosopher, rather than the artist, would have a more accurate argument.
ISABOA
   ISABOA on Jun 04 '07 at 11:49pm
ignore him smitty - he is a troll
slaterock
   slaterock on Jun 04 '07 at 11:51pm
philosophers can only have an opinion. The only true answer comes from the artist.
Smitty McGillicutty
Smitty McGillicutty on Jun 04 '07 at 11:52pm
man, I love you isaboa
Lucretia Mott
Lucretia Mott on Jun 04 '07 at 11:52pm
I'm vegan.
Smitty McGillicutty
Smitty McGillicutty on Jun 04 '07 at 11:55pm
btw vespucci, thanks for the link to my work, I am glad to have the discussion continue on the piece.
steviec
steviec on Jun 04 '07 at 11:55pm
Ahh yes! I love a good philosphical tumble! Here's to you, Vespucci, for getting it going!



Well, the first thing I would say about you propisition is that I think you are right and wrong. You are right when you say that the evaluation of aesthetic value is the domain of philosophers, but I think you are wrong to exclude artists as unqualified to comment based on their supposed non-academic, "technical" status.



Quite simply - everyone can be a philosopher! You don't need a degree or a title, especially in this era when the internet makes research so easy (and fun!). The only thing philosphers need is a desire to investigate, an enquiring mind and an interest in the subject matter.



As for artists, rather than having just a lay knowledge, they provide invaluable insight into the artistic process. I firmly believe that the "process" - the mechanics of the act + the boundaries and implications of those actions - influences the theory (materialism).
Vespucci
Vespucci on Jun 05 '07 at 12:10am
YAY!!! :-) Ok.... here we go!



ISOBOA: In your spirit of irrationality, you're a poopy-head. In the spirit of intellectual curiosity, why do you call me a troll? The comment was inspired by the blog for wonderland, not by the shirt or by Smitty necessarily. I actually LIKE the design, and have nothing against Smitty. My post was not meant to be anything against either him or the shirt.



slaterock: you are mistaken. anyone can have an opinion... and thats precisely what makes them boring. philosophers actually need to have reasoned, logically valid arguments. much more robust than an opinion. but you bring up an interesting component of aesthetic evaluation... and that is intentionality. why do you think only the artist has the "true answer" ?



steviec: thanks! i only exclude artists as unqualified insofar as the status of "artist" alone is insufficient to be qualified. a person can of course be an artist AND a philosopher.



steviec AND Smitty: having EXPERIENTIAL knowledge of the mechanics of the process of creation... does what precisely to enhance the understanding of the "theory" as you call it?
steviec
steviec on Jun 05 '07 at 12:54am
I would say that mechanics influence theory. Why? Well, you could answer that point by addressing one of the longest-running smackdown debates in the history of philosophy: Materialism Vs. Idealism.



In the answer to the great questions...



An Idealist approach: emphasises the factors of spirituality, the individual's state of mind and the way that thought or ideas shape and process reality.



A Materialist approach: would tackle the same question of the standpoint of the physical realm - economics, class, historical conditions and the materials of existence.



These two schools of thought bump up against each other over and over again through history (then you get dialectical materialism, but that's another blog!)



Hegel was an idealist, Marx was a materialist, but most contemporary thinkers are critical of choosing just one approach. For a very tight attack on Idealism, read the Australian philosopher David Stowe's book, "The Plato Cult & Other Philosophical Follies" (1991).



Anyway! I would answer that the creative process is one of both idealism and materialism, and while artists start with an idea, ultimately their success or failure is bounded by their access to education and training (their access to a computer in this case), materials (computer programs), time and ultimately, the views of the Threadless staff and community.
ISABOA
   ISABOA on Jun 05 '07 at 3:14pm
You are a troll because you made an argument solely to get a "rise" out of artists on this site.



Art is an experiment in creation - the creator has a vital perspective on the process.



Art is as vital, provocative and unquantifiable as philosophical reasoning. Instead of arguing I am leaving you with some insight from those who do know better.



Art is a selective re-creation of reality according to an artist's metaphysical value-judgments. An artist recreates those aspects of reality which represent his fundamental view of man's nature. (Ayn Rand, 'Art and Cognition')



The fact is that an artist is a philosopher - just not in the way you define it -



Fantasy, abandoned by reason, produces impossible monsters; united with it, she is the mother of the arts and the origin of marvels. (Francisco de Goya)



From the moment that art ceases to be food that feeds the best minds, the artist can use his talents to perform all the tricks of the intellectual charlatan. Most people can today no longer expect to receive consolation and exaltation from art. The 'refined,' the rich, the professional 'do-nothings', the distillers of quintessence desire only the peculiar, the sensational, the eccentric, the scandalous in today's art. I myself, since the advent of Cubism, have fed these fellows what they wanted and satisfied these critics with all the ridiculous ideas that have passed through my mind. The less they understood them, the more they admired me. Through amusing myself with all these absurd farces, I became celebrated, and very rapidly. For a painter, celebrity means sales and consequent affluence. Today, as you know, I am celebrated, I am rich. But when I am alone, I do not have the effrontery to consider myself an artist at all, not in the grand old meaning of the word: Giotto, Titian, Rembrandt, Goya were great painters. I am only a public clown - a mountebank. I have understood my time and have exploited the imbecility, the vanity, the greed of my contemporaries. It is a bitter confession, this confession of mine, more painful than it may seem. But at least and at last it does have the merit of being honest. (Pablo Picasso, 1952)



When we speak of Nature it is wrong to forget that we are ourselves a part of Nature. We ought to view ourselves with the same curiosity and openness with which we study a tree, the sky or a thought, because we too are linked to the entire universe. (Henri Matisse)



The painter's mind is a copy of the divine mind, since it operates freely in creating the many kinds of animals, plants, fruits, landscapes, countrysides, ruins, and awe-inspiring places. (Leonardo da Vinci)



In dealing with a scientific problem, I first arrange several experiments, and then show with reasons why such an experiment must necessarily operate in this and in no other way. This is the method which must be followed in all research upon the phenomenon of nature. We must consult experience in the variety of cases and circumstances until we can draw from them a general rule that is contained in them. And for what purposes are these rules good? They lead us to further investigations of nature and to creations of art. They prevent us from deceiving ourselves and others by promising results which are not obtainable.

(Leonardo da Vinci)



We all know that art is not truth. Art is a lie that makes us realize the truth. (Pablo Picasso)



The aim of art is to represent not the outward appearance of things, but their inward significance. (Aristotle)



Have no fear of perfection, you'll never reach it. (Salvador Dali)







shadowboy
shadowboy on Jun 05 '07 at 3:26pm
Art is subjective, no? Does one need to be an engineer to appreciate the handling of a fine automobile? A chef to appreciate fine food? A prostitute to... well, you get my drift.



steviec
steviec on Jun 06 '07 at 5:07am
Hang on...are you saying art is NOT subjective? Didn't you just contradict yourself with the engineer/chef/prostitute analogy?
Smitty McGillicutty
Smitty McGillicutty on Jun 06 '07 at 9:11am
no he is asking if you agree that art is subjective. He is turning the statement that "Art is subjective" into a question
steviec
steviec on Jun 06 '07 at 9:20am
Oh, yes, cheers Smitty. That had be a bit befuddled. Art is subjective, yes!
Smitty McGillicutty
Smitty McGillicutty on Jun 06 '07 at 10:12am
it's all good bra.
shadowboy
shadowboy on Jun 06 '07 at 10:27am
Yeah, I can see where that may be a bit confusing.



I've always had a problem with people who think you can quantify art. The purpose of art, be it visual art, music, or whatever, is to evoke emotion. If something appeals to you, then it's art - to you, if no one else.



Something doesn't have to be deep or profound, or even meaningful to qualify.
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