I've been doing alot of sketching lately. I've been wanting to work on some individual paintings on canvas or watercolor paper, but when I think about starting I ultimately end up just working in my sketchbook. I think there's something about working in book form that has me addicted. It's also nice because I don't have to be cramped up in a studio to do it, I can work in my sketchbook anywhere I go.
Here's some of my latest. These drawings fill up the moleskine I had in NY... ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() These sketches are for a journal I'm doing depicting dreams that I've had. This book has been really interesting to work on. At first, most of my dreams make no sense whatsoever, but as I sketch them and describe what happens in them, I start to see many recurring themes, and even reasons why I may have had the dream. This dream was really cool. Speedy Joe actually made a guest appearance in this one. He was in the car with me when I was driving through the black and white town. ![]() ![]() ![]() ![]() ![]() When I do the visuals for these dreams, I try to draw them in a way the best represents the way the dreams happened and were seen. this dream was very ordered, almost monotonous. The things that happened in it were horrific, but it was seen in a very cold unfeeling manner. That's why I represented it like this. ![]() ![]() This one had alot of suffering animals in it. That seems to be a recurring theme in my dreams. It also had some incredibly random stuff that I still haven't made sense of. ![]() ![]() Why is my old bowling ball stuck in this rapids? Why the abused dogs in cages? ![]() ![]()
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Send me an email! cbuchholz@jplprod.com
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